> For the complete documentation index, see [llms.txt](https://support.4cast.world/llms.txt). Markdown versions of documentation pages are available by appending `.md` to page URLs; this page is available as [Markdown](https://support.4cast.world/9.-show-day/common-setups.md). # Common Setups Real-world examples of how the MVP fits into different production workflows. *** ## DAW Playback (Backing Track Artists) The most common setup for bands and artists using backing tracks. The DAW runs the show -- MIDI triggers on the timeline fire video and lighting cues in sync with the music. **Setup:** ``` ┌──────────┐ USB-C ┌─────────┐ HDMI ┌───────────┐ │ Laptop │───────────▶│ MVP │──────────▶│ Projector │ │ (DAW) │ │ │ Ethernet ┌──────────┐ │ │ │ │───────────▶│ ArtNet │──▶ Fixtures └──────────┘ └─────────┘ │ Node │ └──────────┘ ``` **How it works:** * MIDI notes on the DAW timeline trigger video clips on one channel and lighting clips on another * The audio backing track plays from the DAW's audio output as usual * A single USB-C cable carries power + MIDI + UI access + USB-ArtNet passthrough * The MVP's Status Display shows LIVE MIDI view with the last triggered note and playing filename **Workflow:** 1. In your DAW, create two MIDI tracks (one for video channel, one for lighting channel -- default: Ch.1 and Ch.3) 2. Route both to the MVP 3. Draw MIDI notes at the cue points in your arrangement 4. Use [Configuration Slots](file:///5753738/6.-Configuration/configuration-slots.md) to prepare different setlists (switch via CC #119) **Tip**: Place blackout notes (Note 0) between songs so you can restart sections independently during rehearsal. *** ## MIDI Controller Playback (Manual / Improvisational) For VJs, worship teams, DJs, or any situation where a human operator decides which clip to play in real time. **Setup:** ``` ┌─────────────┐ USB-A ┌─────────┐ HDMI ┌───────────┐ │ APC Mini / │────────────▶│ MVP │──────────▶│ Display │ │ Controller │ │ │ └───────────┘ └─────────────┘ DC──▶└─────────┘ ``` **How it works:** * Each pad on the controller triggers a different video clip (notes 0-63 on APC Mini) * The operator presses pads live based on what's happening on stage * No computer needed -- MVP runs standalone with the DC power adapter * APC Mini/MK2 LEDs show which pad has a clip assigned (ready) and which clip is currently playing **Workflow:** 1. Connect MVP to Wi-Fi or USB for initial setup (upload videos, assign clips to pads) 2. Disconnect from computer, connect DC adapter 3. Connect controller to USB-A port and go **Tip**: Use a controller with a built-in profile (APC Mini or APC Mini MK2) for automatic LED feedback showing which clip is playing. *** ## USB Keyboard Playback (Simplest Setup) For scenarios where simplicity is paramount -- worship services, small events, non-technical operators. **Setup:** ``` ┌─────────────┐ USB-A ┌─────────┐ HDMI ┌───────────┐ │ USB Keypad │────────────▶│ MVP │──────────▶│ Display │ │ or Keyboard │ │ │ └───────────┘ └─────────────┘ DC──▶└─────────┘ ``` **How it works:** * 36 keys are mapped: number row (1-0), QWERTY row (Q-P), home row (A-L), bottom row (Z-M) * Press a key to trigger the corresponding video clip * Hold **Shift + key** to trigger the corresponding lighting clip * The Status Display shows which key was pressed and the playing filename **Workflow:** 1. Assign clips to the key positions you find most logical 2. Print a reference card showing which key triggers which clip 3. Hand it to the operator *** ## Timecode-Synced Show (Concert / Theatre) For precisely timed shows where video and lighting must match the audio timeline exactly. **Setup (LTC):** ``` ┌──── 3.5mm Audio ──┐ ┌──────────┐ USB-C ┌───▼─────┐ HDMI ┌──┴────────┐ │ Laptop │───────────▶│ MVP │──────────▶│ Projector │ │ (DAW) │ │ │ Ethernet ┌──────────┐ │ │ │ │───────────▶│ ArtNet │──▶ Fixtures └──────────┘ └─────────┘ │ Node │ └──────────┘ ``` **How it works:** * The DAW sends SMPTE timecode (LTC via 3.5mm audio or MTC via MIDI) to the MVP * The MVP's [Timeline Editor](file:///5753738/4.-Timecode-Setup/timeline-editor.md) has clips placed at specific timecode positions * Playback is continuously synchronized -- the MVP follows the timecode source at all times * Speed changes (50%-200%), seeking, and transport control all work * The Status Display shows LIVE TC view with the running SMPTE timecode clock **Workflow:** 1. Build your video and lighting clips 2. [Convert videos to All-Intra](file:///5753738/4.-Timecode-Setup/all-intra-timecode.md) for frame-accurate sync 3. Arrange clips on the timeline in the [Timeline Editor](file:///5753738/4.-Timecode-Setup/timeline-editor.md) 4. Set the frame rate to match your DAW (24, 25, 29.97, or 30 fps) 5. Configure your DAW to send LTC or MTC 6. Hit play -- the MVP follows **Tip**: Use MTC + MMC for the best experience -- you can scrub your DAW timeline and the MVP follows your cursor position (with 250ms scrub debounce to prevent excessive seeking). *** ## Video Outputs ### Short-Throw Projector (Behind a Screen) A common live production setup where a rear projector displays video on a translucent screen behind the performer. * Connect HDMI directly from MVP to projector * Enable "Rear Projection" mode on your projector (mirrors the image) * 1080p is typically sufficient for rear projection ### LED Video Wall * Use an HDMI-to-video-processor (like a Novastar or Brompton) to feed the LED wall * The MVP outputs standard HDMI -- the video processor handles pixel mapping * The HDMI output resolution matches what the connected display/processor reports via EDID ### Portable Display / Monitor For smaller events, rehearsals, or confidence monitors: * Any HDMI display works (TV, monitor, portable display) * The MVP outputs at the resolution the display requests via EDID ### Multi-Display (Splitter) The MVP has a single HDMI output. For multiple displays: * Use an HDMI splitter (1-in, 2-out or more) * All displays show the same content * For different content on different displays, you'd need multiple MVPs *** ## Lighting Packages ### Touring Floor Package A portable lighting rig that travels with the artist: * LED bars, wash lights, spot lights, or moving heads * All addressed to consistent DMX channels across up to 16 universes * Record your show once on the MVP, and it plays back the same every night **Key point**: DMX clips record exact channel values. As long as your fixtures are addressed the same way at every venue, the clips work identically everywhere. ### Venue-Provided Lighting When using house lighting at different venues: * **Different fixtures = different clips**: You'll likely need to record new clips at each venue * Use [Configuration Slots](file:///5753738/6.-Configuration/configuration-slots.md) to keep per-venue configurations: Slot A for Venue 1, Slot B for Venue 2, etc. * Record clips during soundcheck using the [DMX Recorder](file:///5753738/3.-Lighting-Setup/lighting-configuration.md#record-dmx) ### ArtNet Node Options The MVP outputs ArtNet data that an ArtNet node converts to physical DMX. Node options: * **Dedicated ArtNet nodes** (e.g., PKNight, Enttec ODE) -- most reliable * **Lighting consoles with ArtNet input** -- some consoles can receive ArtNet and output DMX * The MVP supports up to **16 universes** (Universe 0-15) -- choose a node that supports your needs *** ## Worship Services **Setup:** Similar to DAW Playback or USB Keyboard, but often with: * ProPresenter, EasyWorship, or similar presentation software handling lyrics/slides on one display * MVP handling background visuals on a separate display/projector * Controlled by a volunteer with a simple USB keypad or MIDI controller **Tip**: The [USB Keyboard](file:///5753738/5.-Triggering/usb-keyboard-triggering.md) mode makes this accessible for non-technical volunteers -- just press number keys. Shift+key for lighting. *** ## Corporate Events **Setup:** Similar to Timecode-Synced Show, but typically: * Pre-produced videos (logo loops, speaker intro clips, breakout timers) * Triggered by a show caller via MIDI controller or QLab * AV tech operates from a production table **Tip**: Create a slot for each segment of the event (presentation, breakout, awards) and switch slots as needed via the UI or CC #119. *** ## Related Pages * [Hardware Controller Setup](file:///5753738/5.-Triggering/hardware-controllers.md) -- Standalone operation * [Triggering Overview](file:///5753738/5.-Triggering/triggering-overview.md) -- All trigger methods * [Configuration Slots (A-E)](file:///5753738/6.-Configuration/configuration-slots.md) -- Multi-configuration management * [Show Day Checklist](broken://pages/5be927de0f3bd71bfa42b29e0654d56988aca389) -- Pre-show preparation * [Performance Tips](broken://pages/42e586ec28ae7c1c931e8bad2099869ea5e08e14) -- Optimization for live shows