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Common Setups

Real-world examples of how the MVP fits into different production workflows.

DAW Playback (Backing Track Artists)

The most common setup for bands and artists using backing tracks. The DAW runs the show -- MIDI triggers on the timeline fire video and lighting cues in sync with the music.

Setup:

┌──────────┐   USB-C    ┌─────────┐   HDMI    ┌───────────┐
│ Laptop   │───────────▶│   MVP   │──────────▶│ Projector │
│ (DAW)    │            │         │  Ethernet  ┌──────────┐
│          │            │         │───────────▶│ ArtNet   │──▶ Fixtures
└──────────┘            └─────────┘            │ Node     │
                                               └──────────┘

How it works:

  • MIDI notes on the DAW timeline trigger video clips on one channel and lighting clips on another

  • The audio backing track plays from the DAW's audio output as usual

  • A single USB-C cable carries power + MIDI + UI access + USB-ArtNet passthrough

  • The MVP's Status Display shows LIVE MIDI view with the last triggered note and playing filename

Workflow:

  1. In your DAW, create two MIDI tracks (one for video channel, one for lighting channel -- default: Ch.1 and Ch.3)

  2. Route both to the MVP

  3. Draw MIDI notes at the cue points in your arrangement

  4. Use Configuration Slots to prepare different setlists (switch via CC #119)

Tip: Place blackout notes (Note 0) between songs so you can restart sections independently during rehearsal.

MIDI Controller Playback (Manual / Improvisational)

For VJs, worship teams, DJs, or any situation where a human operator decides which clip to play in real time.

Setup:

How it works:

  • Each pad on the controller triggers a different video clip (notes 0-63 on APC Mini)

  • The operator presses pads live based on what's happening on stage

  • No computer needed -- MVP runs standalone with the DC power adapter

  • APC Mini/MK2 LEDs show which pad has a clip assigned (ready) and which clip is currently playing

Workflow:

  1. Connect MVP to Wi-Fi or USB for initial setup (upload videos, assign clips to pads)

  2. Disconnect from computer, connect DC adapter

  3. Connect controller to USB-A port and go

Tip: Use a controller with a built-in profile (APC Mini or APC Mini MK2) for automatic LED feedback showing which clip is playing.

USB Keyboard Playback (Simplest Setup)

For scenarios where simplicity is paramount -- worship services, small events, non-technical operators.

Setup:

How it works:

  • 36 keys are mapped: number row (1-0), QWERTY row (Q-P), home row (A-L), bottom row (Z-M)

  • Press a key to trigger the corresponding video clip

  • Hold Shift + key to trigger the corresponding lighting clip

  • The Status Display shows which key was pressed and the playing filename

Workflow:

  1. Assign clips to the key positions you find most logical

  2. Print a reference card showing which key triggers which clip

  3. Hand it to the operator

Timecode-Synced Show (Concert / Theatre)

For precisely timed shows where video and lighting must match the audio timeline exactly.

Setup (LTC):

How it works:

  • The DAW sends SMPTE timecode (LTC via 3.5mm audio or MTC via MIDI) to the MVP

  • The MVP's Timeline Editor has clips placed at specific timecode positions

  • Playback is continuously synchronized -- the MVP follows the timecode source at all times

  • Speed changes (50%-200%), seeking, and transport control all work

  • The Status Display shows LIVE TC view with the running SMPTE timecode clock

Workflow:

  1. Build your video and lighting clips

  2. Convert videos to All-Intra for frame-accurate sync

  3. Arrange clips on the timeline in the Timeline Editor

  4. Set the frame rate to match your DAW (24, 25, 29.97, or 30 fps)

  5. Configure your DAW to send LTC or MTC

  6. Hit play -- the MVP follows

Tip: Use MTC + MMC for the best experience -- you can scrub your DAW timeline and the MVP follows your cursor position (with 250ms scrub debounce to prevent excessive seeking).

Video Outputs

Short-Throw Projector (Behind a Screen)

A common live production setup where a rear projector displays video on a translucent screen behind the performer.

  • Connect HDMI directly from MVP to projector

  • Enable "Rear Projection" mode on your projector (mirrors the image)

  • 1080p is typically sufficient for rear projection

LED Video Wall

  • Use an HDMI-to-video-processor (like a Novastar or Brompton) to feed the LED wall

  • The MVP outputs standard HDMI -- the video processor handles pixel mapping

  • The HDMI output resolution matches what the connected display/processor reports via EDID

Portable Display / Monitor

For smaller events, rehearsals, or confidence monitors:

  • Any HDMI display works (TV, monitor, portable display)

  • The MVP outputs at the resolution the display requests via EDID

Multi-Display (Splitter)

The MVP has a single HDMI output. For multiple displays:

  • Use an HDMI splitter (1-in, 2-out or more)

  • All displays show the same content

  • For different content on different displays, you'd need multiple MVPs

Lighting Packages

Touring Floor Package

A portable lighting rig that travels with the artist:

  • LED bars, wash lights, spot lights, or moving heads

  • All addressed to consistent DMX channels across up to 16 universes

  • Record your show once on the MVP, and it plays back the same every night

Key point: DMX clips record exact channel values. As long as your fixtures are addressed the same way at every venue, the clips work identically everywhere.

Venue-Provided Lighting

When using house lighting at different venues:

  • Different fixtures = different clips: You'll likely need to record new clips at each venue

  • Use Configuration Slots to keep per-venue configurations: Slot A for Venue 1, Slot B for Venue 2, etc.

  • Record clips during soundcheck using the DMX Recorder

ArtNet Node Options

The MVP outputs ArtNet data that an ArtNet node converts to physical DMX. Node options:

  • Dedicated ArtNet nodes (e.g., PKNight, Enttec ODE) -- most reliable

  • Lighting consoles with ArtNet input -- some consoles can receive ArtNet and output DMX

  • The MVP supports up to 16 universes (Universe 0-15) -- choose a node that supports your needs

Worship Services

Setup: Similar to DAW Playback or USB Keyboard, but often with:

  • ProPresenter, EasyWorship, or similar presentation software handling lyrics/slides on one display

  • MVP handling background visuals on a separate display/projector

  • Controlled by a volunteer with a simple USB keypad or MIDI controller

Tip: The USB Keyboard mode makes this accessible for non-technical volunteers -- just press number keys. Shift+key for lighting.

Corporate Events

Setup: Similar to Timecode-Synced Show, but typically:

  • Pre-produced videos (logo loops, speaker intro clips, breakout timers)

  • Triggered by a show caller via MIDI controller or QLab

  • AV tech operates from a production table

Tip: Create a slot for each segment of the event (presentation, breakout, awards) and switch slots as needed via the UI or CC #119.

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