Pro Tools Setup
This guide covers setting up Pro Tools to trigger video and lighting clips on the MVP via MIDI, and optionally sending MTC for timecode synchronization.
Prerequisites
MVP connected via USB-C (HOST port) to your computer
Video and/or lighting clips assigned in the MVP's Video Configuration or Lighting Configuration pages
Know your configured MIDI channels (check the Video and Lighting pages -- defaults are Channel 1 for video, Channel 3 for lighting)
1. Verify MIDI Connection
Open Pro Tools.
Go to Setup > MIDI > MIDI Input Devices.
Verify that MVP appears in the list and is checked/enabled.
If MVP doesn't appear, check your USB connection and try re-plugging the cable.
2. Create a MIDI Track
Go to Track > New (or press Cmd+Shift+N / Ctrl+Shift+N).
Create a new MIDI Track.

3. Route MIDI Output to MVP
Click on the track's MIDI Output selector (in the Mix window or I/O section of the Edit window).
Select MVP as the output device.
Set the MIDI channel to match your MVP configuration:
For video triggers: the channel configured in MVP's Video settings (default: Channel 1)
For lighting triggers: the channel configured in MVP's Lighting settings (default: Channel 3)

Tip: Set the MIDI Input to None on your MVP trigger tracks. This prevents MIDI feedback loops if you have the MVP connected as both input and output.
4. Program MIDI Triggers
Switch to the Edit window if not already there.
Select the Pencil tool (or use the mini-keyboard in the MIDI Editor).
Draw MIDI notes on the piano roll:
Note 1-99: Triggers the clip assigned to that note number
Note 0 (C-2): Triggers blackout
Note length doesn't matter -- only the Note On event triggers the clip
MIDI Note Numbering in Pro Tools
Pro Tools uses the C3 = MIDI note 60 convention. Here's how MVP note numbers map:
0 (Blackout)
C-1
1
C#-1 / Db-1
12
C0
24
C1
36
C2
48
C3
60
C4
Tip: The MVP Dashboard shows the actual MIDI note number received. If you're unsure about the mapping, play a note and check the Dashboard's Input Monitor to see which note number the MVP received.
5. Separate Tracks for Video and Lighting
To trigger both video and lighting clips from the same Pro Tools session:
Create two MIDI tracks -- one for video, one for lighting.
Route both to MVP as the output device.
Set the video track to your video MIDI channel (default: Channel 1).
Set the lighting track to your lighting MIDI channel (default: Channel 3).
Program video cues on the video track and lighting cues on the lighting track.
6. (Optional) Send MTC for Timecode Sync
If you're using the MVP's Timeline Editor for timecode-synced shows:
Go to Setup > Peripherals > Synchronization (or Setup > MIDI > MIDI Beat Clock depending on your Pro Tools version).
Enable MTC output to MVP.
Set the frame rate to match the rate configured in the MVP's Timeline Editor.
Optionally enable MMC output (Machine Control) for transport events (Stop, Play, Locate).
For details: MTC (MIDI Timecode) Setup
7. Stopping Playback
Stopping Pro Tools does not stop the MVP. The last triggered clip continues playing.
To stop video or lighting:
Draw a Note 0 (C-1) at the end of your session or at any point where you want blackout
This sends the blackout command to the MVP
Tips
Disable Loop mode on your MIDI clips in Pro Tools if you don't want triggers to repeat on loop playback
Use markers in Pro Tools to label your visual cue points for easy reference
Monitor the MVP Dashboard during programming to verify each note triggers the expected clip
Related Pages
Triggering Overview -- All trigger methods
Ableton Live Setup -- Alternative DAW guide
Logic Pro Configuration -- Alternative DAW guide
MTC (MIDI Timecode) Setup -- Timecode sync from Pro Tools
MIDI Reference -- Complete note and CC reference
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